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Brexit has highlighted that Britain is a divided nation. Having voted Remain, I was shocked and saddened by a minority of powerful metro-elite pro-EU supporters who have steadfastly refused to acknowledge the legitimacy of the result. It was their vitriol against working-class voters that has led me to rethink many of my previously held assumptions.

I recently had an interesting discussion on race and political correctness with a black friend I shall describe as a

Trevor Phillips once said to me - only half joking - that newspapers should have identity correspondents, just as they

I recently visited the newly opened photograph exhibition “Devotion: A Portrait of Loretta” at Autograph ABP in Rivington Place, east

Shelby Steele argues that the combination of a black power ideology and white guilt (or more accurately white fear of the stigma of racism) has thwarted the promise of the civil rights era to create a post-racial world.

Far from its claim of making politics more diverse and representative, the WEP appears to be a platform for a singular elite to wield power by enacting a form of feminism that only achieves women’s liberation by curtailing that of men.

It has long been a curatorial fantasy of mine to organise a re-staging of a boxing match that took place in 1972 between the German artist Joseph Beuys, regarded as a giant of modern art, with a local art student of his.

Is The Guardian immoral or amoral? Guardian writers and the editorial team know exactly what they are doing. They are the truly wicked.

Race, region, gender identity and sexuality are what matter in this culture war waged by the social justice warriors.

Our values today are being driven not by morality, rationality or philosophy but by the harsh, crude and bitter outpourings of petulant and snarling individuals.