Author: Sarah Peace

January 7, 2019 / / Art

Scattered rather than assembled, the photographs in Zarina Bhimji’s Lead White use the walls as a working surface for investigation. Seemingly hovering on the walls, viewers are tempted to step back and reorder the documents and artefacts that map a story woven across India, East Africa and Britain. A first glance…

March 30, 2018 / / Gender