White Power, Political Correctness and Black Free-Thinkers

I recently had an interesting discussion on race and political correctness with a black friend I shall describe as a political agnostic. A successful banker by day, he called me to complain about a black work colleague who, when recently stopped by a white traffic cop for breaking a driving rule in London, had promptly whipped out the race card: ‘Why did you stop me? Is it because you saw a black man driving an expensive car?’

Portraits of our mothers

Over a number of years, the artist, Franklyn Rodgers, photographed his mother Loretta and her close circle of friends, building up an extraordinary series of large-scale portraits. The size and grandiosity of the works combine with a remarkable intimacy, achieved by the artist’s close relationships with these women.

Artists4Brexit: Response to Matthew Parris

It has long been a curatorial fantasy of mine to organise a re-staging of a boxing match that took place in 1972 between the German artist Joseph Beuys, regarded as a giant of modern art, with a local art student of his.

Immigration and the outrage industry

David Goodhart’s report for Policy Exchange on the ending of free movement has provoked a predictably hysterical reaction from those who seem unable to deal with any discussion of immigration in a fair and rational way.