The online mob of commentariats have again got their high-handed politically correct digits in a twist over the ongoing storm concerning white actors performing roles that they deem should be played by non-whites. In August, Scarlett Johansson got into hot water when she proclaimed that an actor should be allowed…
Category: Identity
Martin Parr is a delightful photographer. His bright, sweet shop sense of colour oozes fun, humour, eccentricity and a sense of optimism in being Only Human, the name of this solo exhibition of photographs at the National Portrait Gallery. The show is grouped into themes, from capturing members of hobby…
Discrimination remains a hotly-debated issue in multi-ethnic, religiously diverse democracies such as the UK. The UK labour market continues to be marked by ethnic – and religious – penalties. This has been demonstrated by a wide array of CV field experiments, including the recent report by the Centre for Social…
We have heard a great deal from politicians and pundits over the last three years about how Leavers are bigots and that the Brexit vote marked a step backwards in race relations in the UK. Remain activists have repeatedly taken to social media and the airwaves to explain that leaving the…
My name is Richard Norrie not Richard Norris. It is a Scottish name. I am Scottish but raised and living in England. English people sometimes get my name wrong. This has happened since as long as I can remember. I always have to spell my name and it is a…
All in Britain is taking an important step forward. We are partnering with the organisers of the Battle of Ideas to organise a strand of talks on the Identity Wars. See below for further details of the talks, dates, times and tickets. Do join us to talk openly about…
Ben Cobley skillfully picks apart the ideology and system of diversity that is stifling British politics and social relations.
Brexit has highlighted that Britain is a divided nation. Having voted Remain, I was shocked and saddened by a minority of powerful metro-elite pro-EU supporters who have steadfastly refused to acknowledge the legitimacy of the result. It was their vitriol against working-class voters that has led me to rethink many of my previously held assumptions.
Over a number of years, the artist, Franklyn Rodgers, photographed his mother Loretta and her close circle of friends, building up an extraordinary series of large-scale portraits. The size and grandiosity of the works combine with a remarkable intimacy, achieved by the artist’s close relationships with these women.